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Signorelli parapraxis
The Signorelli parapraxis represents the first and best known example of a parapraxis and its analysis in Freud's ''The Psychopathology of Everyday Life''. The parapraxis centers on a word finding problem and the production of substitutes. Freud couldn't recall the name (Signorelli) of the painter of the Orvieto frescos and produced as substitutes the names of two painters Botticelli and Boltraffio. Freud's analysis shows what associative processes had linked Signorelli to Botticelli and Boltraffio. The analysis has been criticised by linguists and others.
==Botticelli - Boltraffio - Trafoi==
One important ingredient in Freud's analysis was the North-Italian village Trafoi where he received the message of the suicide of one of his patients, struggling with sexual problems. Without Trafoi the substitute Boltraffio rhyming to it would be incomprehensible. Freud links Trafoi to the theme 'death and sexuality', a theme preceding the word finding problem in a conversation Freud had during a trip by train through Bosnia-Herzegowina.
The second important ingredient in Freud's analysis is the extraction of an Italian word ''signor'' from the forgotten name Signorelli. ''Herr'', the German counterpart of ''Signor'', is then linked to Herzegowina and the word ''Herr'' occurring, as Freud tells us, in the conversation.
Freud denies the relevance of the content of the frescos. Nevertheless, psychoanalysts have pursued their investigations particularly into this direction, finding however no new explanation of the parapraxis. Jacques Lacan suggested that the parapraxis may be an act of self-forgetting.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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